The Great Gatsby and the Unattainable American Dream

Emily Mielcarek Ms. Lullo AP English 11 December 18, 2011 The Unattainable American Dream The Great Gatsby, a novel written by F. Scott Fitzgerald, is a story of misguided love between a man and a woman. Fitzgerald takes his reader through the turbulence and trials of Jay Gatsby’s life and of his pining for the girl he met five years prior. The main theme of the novel, however, is not solely about the love shared between Daisy Buchanan and Jay Gatsby. The main purpose is to show the decline and decay of the American Dream in the 1920’s. The American Dream is the goal or idea which suggests that all people can succeed through hard work, and that all have the potential to live happy, successful lives. While on the surface, Gatsby†¦show more content†¦In The Great Gatsby, the American Dream, is, in fact, unattainable. For Gatsby, his dream is to erase the past five years of his life and to love Daisy again and to have her love him. But, this is impossible for one cannot simply go back in time and change what might have been. Gatsby finds himsel f working to reach his goal by indulging in ludicrous material goods and contriving a way to make Daisy fall for him. In Tom Buchanan’s case, his dream is to control. He wants for both Daisy and his mistress, Myrtle, to love him and to be fine with an affair. This dream is also unattainable because everyone loses in this situation. In the end, Myrtle is killed, and so is Tom’s destination. For Nick Carraway, he wants to start over. He wants to find himself, run away from rumors and from his family and commence a new life. He gets caught up in the childish antics of Gatsby and Daisy and Tom and loses who he is instead of discovering his true meaning. When all is said and done, Nick packs up and moves back West. It’s clear that F. Scott Fitzgerald is cynical towards the idea of the American Dream and uses The Great Gatsby as his way of expressing his views. Emily Mielcarek Ms. Lullo AP English December 18th 2011 1. The green light, situated at the end of the Buchanan’s dock, represents Gatsby’s hopes and dreams for the future. Gatsby associates the light with Daisy and in Chapter one, he reaches toward itShow MoreRelatedDepicting the Unattainable American Dream in The Great Gatsby by F. Scott Fitzgerald1740 Words   |  7 Pages The Great Gatsby, a novel written by F. Scott Fitzgerald, depicts that the American Dream is unattainable. The novel portrays the ignorance of society after the war. The Great Gatsby was published in 1925 after World War I had ended. Americans, at the time, lived in an illusion to try to forget about the war, thus, the American Dream was very appealing to Americans. The American Dream set an illusion that allowed Americans to believe that one could change the past and â€Å"re-do† the mistakes all overRead MoreThe Great Gatsby And The Catcher In The Rye Analysis1028 Words   |  5 PagesThe Great Gatsby is set in the 1920s while The Catcher in the Rye is set in the 1950s. Despite the time periods being 30 years apart, both novels depict the American Dream in similar ways through the protagonist. The Great Gatsby follows the story of young man, Jay Gatsby, trying to win back his former love interest, Daisy, through his acquisition of wealth. The Catcher in the Rye is narrated by a male teenager, Holden Caulfield, and follows the story of how he ended up in a mental hospital. TheRead MoreGatsby’s Unrealistic American Dream in The Great Gatsby, by F. Scott Fitzgerald960 Words   |  4 PagesThe term â€Å"American Dream† is defined as an idea which believes that all people have the possibility of prosperity and success. 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The American Dream encapsulates the ideals of the â€Å"New World,† bringing together not only the idea of limitless success, but also its newfound availability and encouragement to embrace the promise land. The Great Gatsby explores the American Dream and â€Å"the actual nature of this dream... the manner in which people try to achieve it, as well as the moral implications their actions bring† (Smiljanić, 2). Through The Grea t Gatsby, F. Scott Fitzgerald reveals the truth of the American Dream by showingRead MoreF. Scott Fitzgerald s The Great Gatsby944 Words   |  4 Pages The American Dream encapsulates the ideals of the â€Å"New World,† bringing together not only the idea of limitless success, but also its newfound availability and encouragement for embracing the promise land. The Great Gatsby explores the American Dream and â€Å"the actual nature of this dream... the manner in which people try to achieve it, as well as the moral implications their actions bring† (Smiljanić, 2). Through The Great Gatsby, F. Scott Fitzgerald reveals the truth of the American Dream by showingRead MoreThe Great Gatsby by F. Scott Fitzgerald821 Words   |  3 Pages The Great Gatsby Rough Draft The Japanese ideology of Kiazen is the idea of continuous improvement and change for the best. This idea is a Japanese idea that found its way into the Fitzgerald’s novel The Great Gatsby and is more than just the simple Japanese idea. It is the ‘Americanized version of the concept where the characters in The Great Gatsby seek out their American dream but the as they grow closer to achieving the goal, the goal eludes them and their Dream changes. The Great GatsbyRead MoreThe American Dream Analyzed in the Great Gatsby Essay762 Words   |  4 PagesThe Great Gatsby: The American Dream Their love is founded upon feelings from the past, these give it, notwithstanding Gatsbys insistence on being able to repeat the past, an inviolability. It exists in the world of money and corruption but is not of it. The Great Gatsby, a novel by F. Scott Fitzgerald, is about the American Dream, and the demise of those who attempt to capture its false goals. For Jay, the dream is that, through wealth and power, one can obtain happinessRead MoreEssay on Comparison Great Gatsby and Catcher in the Rye1331 Words   |  6 PagesIn F. Scott Fitzgerald’s novel The Great Gatsby, Gatsby is a man who can be compared to Holden Caulfield from J.D Salinger’s Catcher in the Rye. Jay Gatsby and Holden Caulfield are both caught up in their unattainable dreams and first love and as a result struggle with an obsession of their past. It is a natural tendency for all men and women to dream but sometimes these dreams may be unattainable. In J.D Salinger’s Catcher in the Rye, Holden Caulfield has a desire to preserve the innocence of

Is Confucianism A Religion - 1973 Words

Introduction The question of whether or not Confucianism is a religion has been explored by many writers. Its religious status has been controversial in intellectual circles since the controversy of the Chinese rites of 17th century. There have been several attempts to define the religious character of Confucianism. The arguments by Matteo Ricci that the church should accommodate ancestor worship by Christians of Chinese origin because he considered it veneration and not a true worship was the beginning of Confucianism as a religious model (Tucker, 1998). Ricci and other missionaries searched for the word God as well as other forms of revelation in early Chinese scriptures. The major controversy was whether Shangdi (The High Lord) or Tian (The Heaven) could fit the bill and whether or not the natural philosophy of Chinese matched Christian revelation. The confirmation came in 1877 when James Legge, a missionary translator averred to the Shanghai Missionary Conference that Confucian scriptures were other ways of achieving ultimate truth (Tucker, 1998). Despite the fact that Confucianism may not qualify as a form of religion based on particular definitions of the term, the conceptions are tied closely to devotional practices and popular worship. From the beginning, Confucianism has had a strong religious dimension that was characterized by ritual practices, heavenly reverence, strong belief in moral order, and reverence for ancestors as the guiding providence. In itsShow MoreRelatedIs Confucianism A Religion?1595 Words   |  7 PagesIs Confucianism A Religion? Without a doubt, Confucius is regarded as one of the greatest sages of China history. Some people even refer to him as a deity. There have even been attempts to make Confucianism into a religion. 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Surprisingly, in comparison to teachings in other religions, neither of these two religions have a creation myth in the traditional sense but instead believe that in the â€Å"state of â€Å"undifferentiated chaos†Ã¢â‚¬  (IWR, 280) that was all of existence, â€Å"two polar yet complementary energies known as qi (â€Å"breath†, â€Å"energy†, or â€Å"force†)† (IWR 280)Read MoreConfucianism Is An Eastern Asia Religion / Philosophy1071 Words   |  5 PagesConfucianism is an Eastern Asia religion/philosophy. Described as a way of life. Confucianism is neither said to be a monotheistic n or a polytheistic religion. This religion originated in China during the 6th-5th century BCE, and has since then spread to countries such as Korea, Taiwan and Vietnam. Confucianism which means â€Å"The School of the Scholars† developed from the teachings of Confucius. It is more a system of ethics and social behavior. 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Among the three, Confucianism, with its well documented social hierarchy, supported the ideals of filial piety the most. Buddhism and Daoism also supported filial piety in some of their texts, but had monastic systems that prevented monks and nuns from being filial children. The term filial piety refers toRead MoreConfucianism And Taoism : A Common Thread That Is Observed Within East Asian Religions1493 Words   |  6 PagesA common thread that is observed within East Asian religions is that there is an ideal or higher path that one can follow to attain their spiritual goals within their lifetime. The three popular religions in China, which are Buddhism, Confucianism and Taoism greatly emphasized these ideal paths since direct effect of following these paths would bring harmony and structure to the society. Confucianism, a highly philosophical notion centered around the harmony in the society through the utilization

Of building Essay Example For Students

Of building Essay Houses are built to live in, and not to look on; therefore let use be preferred before uniformity, except where both may be had. Leave the goodly fabrics of houses, for beauty only, to the enchanted palaces of the poets; who build them with small cost. He that builds a fair house, upon an ill seat, committeth himself to prison. Neither do I reckon it an ill seat, only where the air is unwholesome; but likewise where the air is unequal; as you shall see many fine seats set upon a knap of ground, environed with higher hills round about it; whereby the heat of the sun is pent in, and the wind gathereth as in troughs; so as you shall have, and that suddenly, as great diversity of heat and cold as if you dwelt in several places. Neither is it ill air only that maketh an ill seat, but ill ways, ill markets; and, if you will consult with Momus, ill neighbors. I speak not of many more; want of water; want of wood, shade, and shelter; want of fruitfulness, and mixture of grounds of several natures; want of prospect; want of level grounds; want of places at some near distance for sports of hunting, hawking, and races; too near the sea, too remote; having the commodity of navigable rivers, or the discommodity of their overflowing; too far off from great cities, which may hinder business, or too near them, which lurcheth all provisions, and maketh everything dear; where a man hath a great living laid together, and where he is scanted: all which, as it is impossible perhaps to find together, so it is good to know them, and think of them, that a man may take as many as he can; and if he have several dwellings, that he sort them so, that what he wanteth in the one, he may find in the other. Lucullus answered Pompey well; who, when he saw his stately galleries, and rooms so large and lightsome, in one of his houses, said, Surely an excellent place for summer, but how do you in winter? Lucullus answered, Why, do you not think me as wise as some fowl are, that ever change their abode towards the winter? To pass from the seat, to the house itself; we will do as Cicero doth in the orators art; who writes books De Oratore, and a book he entitles Orator; whereof the former, delivers the precepts of the art, and the latter, the perfection. We will therefore describe a princely palace, making a brief model thereof. For it is strange to see, now in Europe, such huge buildings as the Vatican and Escurial and some others be, and yet scarce a very fair room in them. First, therefore, I say you cannot have a perfect palace except you have two several sides; a side for the banquet, as it is spoken of in the book of Hester, and a side for the household; the one for feasts and triumphs, and the other for dwelling. I understand both these sides to be not only returns, but parts of the front; and to be uniform without, though severally partitioned within; and to be on both sides of a great and stately tower, in the midst of the front, that, as it were, joineth them together on either hand. I would have on the side of the banquet, in front, one only goodly room above stairs, of some forty foot high; and under it a room for a dressing, or preparing place, at times of triumphs. On the other side, which is the household side, I wish it divided at the first, into a hall and a chapel with a partition between; both of good state and bigness; and those not to go all the length, but to have at the further end, a winter and a summer parlor, both fair. And under these rooms, a fair and large cellar, sunk under ground; and likewise some privy kitchens, with butteries and pantries, and the like. .u28994be7fdc798fccb233dc3f5d00fa2 , .u28994be7fdc798fccb233dc3f5d00fa2 .postImageUrl , .u28994be7fdc798fccb233dc3f5d00fa2 .centered-text-area { min-height: 80px; position: relative; } .u28994be7fdc798fccb233dc3f5d00fa2 , .u28994be7fdc798fccb233dc3f5d00fa2:hover , .u28994be7fdc798fccb233dc3f5d00fa2:visited , .u28994be7fdc798fccb233dc3f5d00fa2:active { border:0!important; } .u28994be7fdc798fccb233dc3f5d00fa2 .clearfix:after { content: ""; display: table; clear: both; } .u28994be7fdc798fccb233dc3f5d00fa2 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u28994be7fdc798fccb233dc3f5d00fa2:active , .u28994be7fdc798fccb233dc3f5d00fa2:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u28994be7fdc798fccb233dc3f5d00fa2 .centered-text-area { width: 100%; position: relative ; } .u28994be7fdc798fccb233dc3f5d00fa2 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u28994be7fdc798fccb233dc3f5d00fa2 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u28994be7fdc798fccb233dc3f5d00fa2 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u28994be7fdc798fccb233dc3f5d00fa2:hover .ctaButton { background-color: #34495E!important; } .u28994be7fdc798fccb233dc3f5d00fa2 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u28994be7fdc798fccb233dc3f5d00fa2 .u28994be7fdc798fccb233dc3f5d00fa2-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u28994be7fdc798fccb233dc3f5d00fa2:after { content: ""; display: block; clear: both; } READ: Greek Education v.s Roman Education EssayAs for the tower, I would have it two stories, of eighteen foot high apiece, above the two wings; and a goodly leads upon the top, railed with statuas interposed; and the same tower to be divided into rooms, as shall be thought fit. The stairs likewise to the upper rooms, let them be upon a fair open newel, and finely railed in, with images of wood, cast into a brass color; and a very fair landing-place at the top. But this to be, if you do not point any of the lower rooms, for a dining place of servants. For otherwise, you shall have the servants dinner after your own: for the steam of it, will come up as in a tunnel. And so much f or the front. Only I understand the height of the first stairs to be sixteen foot, which is the height of the lower room. Beyond this front, is there to be a fair court, but three sides of it, of a far lower building than the front. And in all the four corners of that court, fair staircases, cast into turrets, on the outside, and not within the row of buildings themselves. But those towers, are not to be of the height of the front, but rather proportionable to the lower building. Let the court not be paved, for that striketh up a great heat in summer, and much cold in winter. But only some side alleys, with a cross, and the quarters to graze, being kept shorn, but not too near shorn. The row of return on the banquet side, let it be all stately galleries: in which galleiies let there be three, or five, fine cupolas in the length of it, placed at equal distance; and fine colored windows of several works. On the household side, chambers of presence and ordinary entertainments, with some bed-chambers; and let all three sides be a double house, without thorough lights on the sides, that you may have rooms from the sun, both for forenoon and afternoon. Cast it also, that you may have rooms, both for summer and winter; shady for summer, and warm for winter. You shall have sometimes fair houses so full of glass, that one cannot tell where to become, to be out of the sun or cold. For inbowed windows, I hold them of good use in cities, indeed, upright do better, in respect of the uniformity towards the street; for they be pretty retiring places for conference; and besides, they keep both the wind and sun off; for that which would strike almost through the room, doth scarce pass the window. But let them be but few, four in the court, on the sides only. Beyond this court, let there be an inward court, of the same square and height; which is to be environed with the garden on all sides; and in the inside, cloistered on all sides, upon decent and beautiful arches, as high as the first story. On the under story, towards the garden, let it be turned to a grotto, or a place of shade, or estivation. And only have opening and windows towards the garden; and be level upon the floor, no whit sunken under ground, to avoid all dampishness. And let there be a fountain, or some fair work of statuas, in the midst of this court; and to be paved as the other court was. These buildings to be for privy lodgings on both sides; and the end for privy galleries. Whereof you must foresee that one of them be for an infirmary, if the prince or any special person should be sick, with chambers, bed-chamber, antecamera, and recamera joining to it. This upon the second story. Upon the ground story, a fair gallery, open, upon pillars; and upon the third story likewise, an open gallery, upon pillars, to take the prospect and freshness of the garden. At both corners of the further side, by way of return, let there be two delicate or rich cabinets, daintily paved, richly hanged, glazed with crystalline glass, and a rich cupola in the midst; and all other elegancy that may be thought upon. .u06cb86ac034c1607e1952be711098649 , .u06cb86ac034c1607e1952be711098649 .postImageUrl , .u06cb86ac034c1607e1952be711098649 .centered-text-area { min-height: 80px; position: relative; } .u06cb86ac034c1607e1952be711098649 , .u06cb86ac034c1607e1952be711098649:hover , .u06cb86ac034c1607e1952be711098649:visited , .u06cb86ac034c1607e1952be711098649:active { border:0!important; } .u06cb86ac034c1607e1952be711098649 .clearfix:after { content: ""; display: table; clear: both; } .u06cb86ac034c1607e1952be711098649 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u06cb86ac034c1607e1952be711098649:active , .u06cb86ac034c1607e1952be711098649:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u06cb86ac034c1607e1952be711098649 .centered-text-area { width: 100%; position: relative ; } .u06cb86ac034c1607e1952be711098649 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u06cb86ac034c1607e1952be711098649 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u06cb86ac034c1607e1952be711098649 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u06cb86ac034c1607e1952be711098649:hover .ctaButton { background-color: #34495E!important; } .u06cb86ac034c1607e1952be711098649 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u06cb86ac034c1607e1952be711098649 .u06cb86ac034c1607e1952be711098649-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u06cb86ac034c1607e1952be711098649:after { content: ""; display: block; clear: both; } READ: Negotiation Strategy Article Analysis Paper EssayIn the upper gallery tool I wish that there may be, if the place will yield it, some fountains running in divers places from the wall, with some fine avoidances. And thus much for the model of the palace; save that you must have, before you come to the front, three courts. A green court plain, with a wall about it; a second court of the same, but more garnished, with little turrets, or rather embellishments, upon the wall; and a third court, to make a square with the front, but not to be built, nor yet enclosed with a naked wall, but enclosed with terraces, leaded aloft, and fairly garnished, on the three sides; and cloister ed on the inside, with pillars, and not with arches below. As for offices, let them stand at distance, with some low galleries, to pass from them to the palace itself.

Lord Singleworth free essay sample

# 8217 ; s Secret Essay, Research Paper electronic mail: mto395 @ lulu.acns.nwu.edutitle: Lord Singleworth # 8217 ; s Secret # 8221 ; Peoples are non yet clean so far they are simply perfumed # 8221 ; Lord SingleworthThis narrative takes topographic point in Venice, Italy. The narrative starts out with inquiries that have two possible solutions. We besides see this at the terminal of narrative when Lord Singleworth gives the two delegates the tally about as to the reply of the stake. From the inquiries asked in the first paragraph, we know that Lord Singleworth is a distinguished member of society. He is a rich, intelligent, and an aeronautic scientist who seemingly is non excessively fond of Venice. Throughout the full narrative, he contrasts between the beauty of the metropolis with something that is despicable. For illustration, he describes the beautiful architecture of many edifices in the metropolis. Then he talks about how dead the H2O is below the metropolis. We will write a custom essay sample on Lord Singleworth or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The writer is besides non fond of the Venetian people. Throughout the narrative, he says they gossip and speculate upon what he is making in the balloon. He besides talks about how the people # 8220 ; accept an reading which is apparently so undependable, # 8221 ; that it reaches # 8220 ; the ultimate bounds of local popularity. # 8221 ; It even reached the public talker Sir Toni di Bona. Norwid describes this individual as a harlequin, who has a lisp, and is fleshy. He even labels him a buffoon who makes upper category Venitians laugh by utilizing lower category wit, which is yet another struggle between cleanliness and uncleanness. He knows about the guesss of the people in Venice sing Lord Singleworth and his experiments, and chooses to support him. I believe Grazia defends Lord Singleworth merely to do money because at the terminal of his public presentation wealthy ladies had their retainers give money to the talker. The narrative is told in the first individual point of po sition. Although the individual # 8217 ; s name neer appears in the narrative, it is a 3rd delegate. The first delegate is Count Antonio della Brenta. He believes Lord Singleworth is up to some mischievousness whenever he goes up in the balloon. The other character is Signor di San Luca who is a doctor. He believes that Lord Singleworth goes up in the balloon merely to acquire fresh air. This is yet another reference of how the Venetian H2O odors so disgusting that it makes people ill. Both Count Antonio della Brenta and Signor di San Luca made a stake as to what Lord Singleworth really does in the air. Then the three of them ask to see Lord Singleworth to happen out the reply. The following twenty-four hours Lord Singleworth responds by stating that the metropolis with all it # 8217 ; s fancy constructions is built upon a # 8220 ; system of latrines. # 8221 ; He farther goes on and says that the hierarchy â€Å"must degrade a battalion of people, doing them animals without a sense of odor or any societal grace.† Here is yet another struggle between the hierarchy and the lower category. Lord Singleworth continues speaking about the uncleanliness of a lady dumping out her refuse from an flat window. Harmonizing to Lord Singleworth if she were to dump out her refuse from his balloon manner up in the air, she would non lend to the uncleanliness of the metropolis because at a higher lift there is merely cleanliness and that waste would vanish. Lord Singleworth continues by unwittingly stating that the talker Toni di Bona Grazia is responsible for distributing the rumours about his balloon and the falling piece of paper from the sky. This accusal may be true because Toni di Bona Grazia needs rumours so that he can gain from addresss supporting Lord Singleworth. Overall this narrative leaves the reader frustrated. Norwid begins his prose with several inquiries to which he does non reply, and leaves us hanging in the terminal. This is the type of narrative in which the scene is the most indispensable. There are many contrasts between the two societal categories and the beautiful metropolis built straight over a cloaca system. This narrative is symbolic with many societal, political and philosophical elements. The size of the narrative is decidedly kept to a minimal since there are many unreciprocated inquiries about some of the inside informations. However, Norwid seems to obtain his coveted consequence by speaking about the Venetian society and the struggles within it. The rubric of the narrative still keeps the reader in suspense since some of the inside informations are unreciprocated. It besides lets the audience know that the narrative focuses upon the events in one adult male # 8217 ; s life. The flood tide of the narrative is when the three delegates eventually confront Lord Singleworth with their conflicting sentiments about his behavior while he is up in the balloon. One delegate believes he is making experiments. Whereas, the other delegate feels he is up at that place for the exclusive intent of acquiring fresh air to help digestion. Overall, the secret plan is weak and solely focal points upon detecting what Lord Singleworth really does in his balloon. Lord Singleworth partly answers this inquiry by stating at higher lifts the air is fresher and cleaner, but at the same clip he besides takes his helper with him who likely does carry on experiments. Therefore, there neer truly is a declarati on to the balloon quandary and the reader is unsure as to the existent cause of Lord Singleworth # 8217 ; s behaviour and the logical thinking behind it.